My mama loved me more than I do
She said you pop was just like you
Trapped in a vicious circle Jesus youngest disciple
Tell the judge if he throw the book at me, make it the Bible
Start calling myself the king for lack of a better title

(No Mercy) T.I. (via styleskid)

Things to worry about:

Worry about courage
Worry about Cleanliness
Worry about efficiency
Worry about horsemanship
Worry about…

Things not to worry about:

Don’t worry about popular opinion
Don’t worry about dolls
Don’t worry about the past
Don’t worry about the future
Don’t worry about growing up
Don’t worry about anybody getting ahead of you
Don’t worry about triumph
Don’t worry about failure unless it comes through your own fault
Don’t worry about mosquitoes
Don’t worry about flies
Don’t worry about insects in general
Don’t worry about parents
Don’t worry about boys
Don’t worry about disappointments
Don’t worry about pleasures
Don’t worry about satisfactions

Things to think about:

What am I really aiming at?
How good am I really in comparison to my contemporaries in regard to:

(a) Scholarship
(b) Do I really understand about people and am I able to get along with them?
(c) Am I trying to make my body a useful instrument or am I neglecting it?

In a 1933 letter to his 11-year-old daughter Scottie, F. Scott Fitzgerald produced this poignant and wise list of things to worry, not worry, and think about – the best father’s advice since John Steinbeck’s letter to his son on falling in love and this beautiful letter to 16-year-old Jackson Pollock by his dad.

From F. Scott Fitzgerald: A Life in Letters.

(via explore-blog)

theaestheticengineer:

sometimes I wonder if you you ever go to bed thinking about me the way I think about of you?

staceythinx:

Erosion by Tamsin van Essen. Who knew parasitic invasion could be so beautiful?

van Essen on her project:

This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.